Sunday, March 30, 2014

Happy Birthday, Batman!

Today marks the 75th anniversary of Batman, who first appeared in Detective Comics #27, which was published on March 30, 1939.  In his first appearance, in the story "The Case of the Chemical Syndicate," Batman was not much more than a rip-off of the pulp character "The Phantom," but under the guidance of writer Bill Finger, as well as talented artists like Jerry Robinson, Dick Sprang, and many others, he quickly evolved into a full-fledged character in his own right, and is now the most popular superhero in comic book history.

For a fascinating history of the creation of Batman, I recommend you to head over to Robby Reed's Dial B for Blog for his three part series "The Secret origin of Batman."

Saturday, March 29, 2014

Goodbye to Lorenzo Semple Jr.

Lorenzo Semple Jr. died this Friday of natural causes at the age of 91.  Mr. Semple was one of the main creative forces behind the scenes of the 1966 Batman TV series (also known as the greatest television series of all time).  He wrote the series bible, and he wrote or co-wrote 16 episodes of the series, and was the executive script consultant on the rest.

While his work on the Batman TV series alone is enough to make him a legend, he was also a respected screenwriter, and wrote the screenplay for Batman: The Movie, as well as a handful of cult classic film favorites of mine, such as Fathom (a groovy 1960s spy flick starring a bikini-clad Raquel Welch), Pretty Poison (Anthony Perkins' second coolest movie after Psycho) and 1980's colorful version of Flash Gordon.

Mr. Semple, your work on Batman had a profound and positive impact on me as a child, and still means a great deal to me as a grown man.  I will mourn your loss.

Sunday, March 23, 2014

Fresh Monkey Fiction's Amazing Heroes Action Figures

The folks at Fresh Monkey Fiction are gearing up for a new line of action figures that I'm pretty excited about.  The line is called "Amazing Heroes" and looks to be a double-dose of retro, featuring Golden Age comic book characters from the 1940s, done in the style of superhero action figures from the 1980s.  The figures are going to 4.5 inches tall, and the sculpts and articulation appear to be heavily inspired by Mattel's Secret Wars action figures, along with cloth capes that look straight out of Kenner's Super Powers line.  According to Fresh Monkey Fiction, "the plan is to match the "look and feel" of those 80s lines as much as we can, including the packaging."

Vintage Secret Wars and Super Powers Action Figures

Fresh Monkey Fiction are going to be revealing one figure a week for the next four weeks, beginning with the reveal of the first figure: "The Black Terror!"  The Black Terror has long been a favorite Golden Age comic character of mine, even without having read a lot of the comics, simply by virtue of his black costume, skull and bones emblem, and creepy name.  How can you not like that guy?
The Black Terror Action Figure

The other characters are described as "Man of Mystery," "Avenging Hero," and "Super Wizard."  I'm not sure who "Man of Mystery" or "Avenging Hero" will be, as those phrases could describe a lot of characters.  "Super Wizard," however, has got to be "Stardust the Super Wizard," who is one of the most wonderfully weird comic book heroes of all time.  Fletcher Hanks, his creator, was like some kind of mad genius and his comics are some of the most insane things ever committed to newsprint.  If you haven't read them yet, I highly recommend you check out the two collections of his comics that were published by Fantagraphics, "I Shall Destroy All The Civilized Planets!" and "You Shall Die by Your Own Evil Creation!"

Be sure and check out Fresh Monkey Fiction's Facebook page to get more info on these toys and see what other characters will be revealed in the coming weeks.

Tuesday, February 11, 2014

Silent Running (1972): A Broken Movie, and How I Would Fix It

Silent Running


In Silent Running, all plant life has been killed off on the planet Earth, but it's last samples of plant life have been preserved for eight years in a group of biodomes attached to space freighters in outer space, orbiting Saturn.  Bruce Dern plays Freeman Lowell, a botanist who has lived on one of the freighters and cared for the plants for the entire eight years.  He shares the ship with three other astronauts who take care of the rest of the ship, but they only serve 1 year terms before rotating out, and they don't care about the plants the way Lowell does.  One day they receive orders from Earth that their mission has been cancelled.  They are ordered to destroy the domes and return home.  The three astronauts are happy to be finally done with this project and go home, but Lowell is horrified at the thought of destroying the last remaining plants, and stages a mutiny to try and save them.

Go-Karts in the Garden of Eden - While Space Hippie Bruce Dern looks on in dismay, the other astronauts tear around the biodomes in their go-karts, showing no respect for Mother Nature.
That's a pretty good premise for a science fiction film. The film itself is a mixed bag, though.  There are some things it does a good job at, most notably the model work for the space freighters and biodomes, which look pretty good for the time.  That's no surprise, because the film was directed by Douglas Trumbull, who did special effects on such films as Blade Runner, 2001: A Space Odyssey, Star Trek: The Motion Picture, and Close Encounters of the Third Kind.  But for the most part, the film's kind of a misfire.

Space Freighters... in Space
The biggest problem with the film is that it is way too rooted in the year it was made: 1972, and those elements haven't aged well, at all.  First there is the Silent Running theme song, which is a horrible, horrible example of overly earnest, easy listening folk music.  It's not cool folk music, like Bob Dylan, that has some bite to it.  This sounds like a folk song that was written by a committee of advertising executives to sell deodorant to housewives, and sung by someone's creaky old grandmother who is trying to seem cool to her grandkids.  This wouldn't be that bad if you only had to listen to it in the opening credits, but they play the song in multiple montages throughout the movie, and each listening is more excruciating than the last.  After the movie, I watched the closing credits so I could see who sung it, with the thought that I could hunt her down and pour broken shards of glass down her throat, to shred her vocal cords and prevent her from ever singing again.  I was shocked to see it was Joan Baez.  I thought she was supposed to be good?  One of the best folk singers ever, even?  Well, apparently I thought wrong, because she's actually a piece of shit.  Fuck you for singing this song, Joan Baez.  Fuck.  You.

Apparently she actually sang TWO songs, "Silent Running," and "Rejoice in the Sun," but they both sound IDENTICAL (and identically shitty) and I had no idea they were different songs until I did some research for this review.
The rest of the music isn't any better.  The score sounds like library music, rather than music written specifically for the movie, and it rarely compliments what is going on onscreen, and is often a distraction, taking you out of the movie.

Communing With Nature... in Space
Bruce Dern's character is a long haired hippie named "Freeman" who only eats food he has grown himself, questions authority, and longs to return to a simpler time when people were connected to the Earth and soil.  The three astronauts are straight-laced establishment types who enjoy racing cars, eating fast food, and follow any orders they are given from Earth without question.  It's just too on the nose, there's no subtlety to these characters.

All-American Spaceship
In order for Freeman Lowell to save his plants, he is going to have to kill of the other three men on the ship.  This should have been the most exciting part of the movie, with Lowell stalking the men through the ship and picking them off one by one.  It would have been like Alien crossed with The Most Dangerous Game.  Alas, this was 1972, and the they were more interested in singing folk songs and preaching to the audience about the environment then entertaining it, so the other three astronauts are disposed of very quickly.  Lowell gets into a fight with one of them, they roll around in the dirt, and then he finally chokes him, and leaves his body laying on the ground.  He then shuts the airlock on the dome that the other two were planting bombs on, and launches them into space.  That's it.  There was a brief spot of excitement later in the film, when Lowell remembers that he left the first body laying in the dirt.  I was all set to find the body missing, thinking that astronaut had survived and was hiding somewhere, ready to come after Lowell.  But nope, Lowell checks on him, and he was still there, still dead.

Space TV
The next part of the film should also have been pretty interesting.  With Lowell, having committed three murders, and now alone on the ship, cut off from humanity, slowly going insane.  They do brush up against this, to some extent, as Lowell does start to deteriorate mentally, leaving trash all over the ship, talking to the robot drones on the ship like they were people, and even neglecting the plants that he risked everything to save.  But they could have mined this a lot deeper than they did, instead it's mostly all on the surface.

"Man, Space TV is boring!"
So overall, I found the film to be a disappointment, more interesting for the premise than for the movie itself.


Even though I didn't really like this movie, it did make an impact on me, and I spent quite a bit of time after watching it, thinking about how it could be improved.  Here's what I came up with.

The Year:  Let's face it, unless you're into soft rock, granola, bell bottom jeans, and the color brown, 1972 is just kind of lame.  So let's imagine that this film was made in a time when sci-fi movies were more action-packed, colorful, and awesome.  My pick: 1985.

The Director:  I've got nothing against Douglas Trumbull, heck we can keep him on to do the special effects.  But I don't think directing movies is his strong point.  This film needs someone who is comfortable with spaceships, action, and horror.  My pick: John Carpenter

The Actors:  Replacing Bruce Dern in the role of Freeman Lowell, I would choose... Sylvester Stallone.  Stallone's character John Rambo was also a long-haired, authority questioning rebel who was comfortable living in a forest or jungle, so he would be perfect for this role.  In fact, we could change his name from Freeman Lowell to Freeman Rambo, and make him a descendant of John Rambo, how awesome would that be?   For the roles of the militaristic astronauts he has to square up against, I would choose Arnold Schwarzenegger, Carl Weathers, Molly Ringwald and Don Knotts.

The Music:  I would replace Joan Baez with someone who was able to address the same emotional depths and beauty that she was known for, but without sounding so annoying and preachy like she did in this film.  I'm thinking Billy Idol, or maybe Twisted Sister.

The Plot:  I would keep the plot more or less the same, except I would beef up the exciting parts, tone down the boring ones, and add a couple of exciting twists.

Spaceship Control Room
The film would start off more or less the same as before.  But while Sylvester Stallone as Freeman Lowell Rambo would still be the protagonist, I would try to make the other astronauts more sympathetic characters.  I would spend more time with them, letting the audience know that they had friends and families back home that they wanted to return to.  I would also add a comic relief character (Don Knotts), and a female astronaut (Molly Ringwald) who could act as a romantic interest / love triangle for both Stallone and Schwarzenegger's characters.

After the crew gets orders to destroy all the plants and return home, Stallone would try to convince the another astronauts to disobey the order.  When this failed, he would start to hunt them down and kill them one by one.  In the original film, this was done quickly, but in the improved version, this would take up half the film and be filled with violent action and nail-biting suspense.  The one character Stallone would spare would be the one played by Molly Ringwald.  Since he is in love with her, he doesn't kill her.  Instead, he locks her in one of the biodomes, and seals it off, where she is forced to live off the land, and maybe starts to go a little crazy from the strain.

The second half of the film would involve Stallone's character, alone on the ship, slowly  and steadily going insane, unable to cope with what he had done.  I see this similar to the way Jack Nicholson went insane in the Shining, only more awesome because it's in space. 

Then I would pull the first twist.  In the original film I briefly got excited when it seemed like one of the astronauts might have survived, and could be coming after Freeman.  Well, in the improved version, that's what would happen.  And, it would be the deadliest, most intimidating astronaut of them all: Don Knotts!  It turns out that Molly Ringwald nursed him back to health.  No longer the comic relief, Knotts is now pissed off and out for blood.  What follows is a long, protracted, bloody battle between the two equally-matched foes.   It would end up with Stallone locking Don Knotts in the biodome with Molly Ringwald, then launching it into space, rigged with explosives.  Stallone is totally insane now, and doesn't even care about the plants anymore, all he wants is revenge against both Knotts and Ringwald.   But in another awesome twist, it turns out that while Stallone and Knotts were fighting, Molly Ringwald moved all of the bombs back onto the space freighter.  So when Stallone hits the detonator, he blows himself up instead!

The Last Biodome Drifts in Space
Molly Ringwald and Don Knotts than drift through space for years in the biodome.  Eventually, the biodome drifts into a psychedelic 2001: A Space odyssey style wormhole, and comes out on the other side of the universe.  Then a flying saucer full of gray aliens shows up, and transports the biodome on to the surface of a barren planet, which will now be able to be populated by all of the trees and animals from the biodome.  As the aliens fly away, Molly Ringwald reveals to Don Knotts that she is pregnant with his child.  During this conversation the camera starts to pull away, and we see the name of the biodome printed on the outside: ED-N.  Then we hear the couple call each other by their names for the first time in the movie.  Molly Ringwald's character is named Eve, and Don Knotts's character is named Adam.  And suddenly your jaw drops to the floor, because your mind has officially been blown!  Now, that, my friends, is how you make a sci-fi movie with intelligence and class.  Why the filmmakers didn't hop into a time machine and travel 40 years into the future to ask my advice on how to make this movie in the first place, we may never know.  But if any time travelers are reading this today... YOU KNOW WHAT YOU NEED TO DO.

More screencaps after the jump...

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