Saturday, October 13, 2012

Son of Frankenstein (1939)

COUNTDOWN TO HALLOWEEN 2012
KARLOFF THE UNCANNY
DAY 13 - 18 DAYS TILL HALLOWEEN

Son of Frankenstein (1939) - Movie review plus screencaps:
Son of Frankenstein

Son of Frankenstein is an interesting entry in the history of the Universal Monsters series.  This is the third Universal Frankenstein film, following 1931's Frankenstein, and 1935's The Bride of Frankenstein.  It is the first Frankenstein film not to be directed by James Whale, and it is the last one to feature Boris Karloff as The Monster.  It is also the last of Universal's big budget monster movies.  After this film, the rest of the series was produced as low-budget, "b-pictures," re-using sets, special effects, and actors from picture to picture.
Castle Frankenstein
This is a solid, if a little unoriginal, picture in the series.  the plot features Basil Rathbone as "Dr. Wolf von Frankenstein," the son of Colin Clive's "Henry Frankenstein" from the previous movies.  He returns to his ancestral home, after a long period of absence, with his wife and young son, hoping to rehabilitate his family name.  There he discovers the body of his father's Monster, in a coma, but with the heart still beating.  he continues his father's experiments in order to revive the creature and show the world that his father was a genius, not a madman.  As to be expected, this ends up with horrific results, as things get out of the doctor's control, and the awakened Monster goes on a killing spree, with the aid of his demented sidekick Ygor (played by Bela Lugosi).   In the climactic scene, The Monster is finally destroyed by being knocked into a pit of boiling sulfur.   After The Monster's death we are then treated to a brief and inexplicable tacked-on happy ending featuring Wolf von Frankenstein and his family.  Thus ends one of the greatest horror movie series of all time, and with the destruction of the Monster, it can be assured that there won't be any more sequels (I could be wrong about this).
On the Slab
The Monster is not nearly as interesting this time around as he was in the previous two films.  He has lost the ability to speak, and he has lost most of his empathy as well.  There are a few, too-brief, scenes where The Monster shows flashes of emotion and humanity.  These include his reaction to seeing his reflection in the mirror, his anguish at the death of a friend, and his attitude towards Wolf von Frankenstein's young son. Unfortunately, he spends most of his time in the film either unconscious, or killing people at the bidding of Ygor, and generally comes across as a mindless servant and killing machine.  This, I think, was a mistake on the part of the filmmakers, as the ability to empathize with The Monster and his plight was the key to the success of this series, and the reason that Frankenstein's Monster has become such a beloved figure in pop culture.  You take that away, and you're left with just a generic boogeyman, no different than the monsters from any other horror films.  It doesn't surprise me that Boris Karloff did not want to return as The Monster again after this.
Research, Interrupted
This is not to say that it's a bad movie.  It has some nice, shadowy, black and white cinematography, and the performances from Karloff, Rathbone, and Lugosi are all entertaining.  Even if it's all a bit on the generic side, it's still a lot of fun, as pretty much all of the 1930s Universal Monsters movies are.  I would definitely recommend this if you are a fan of these types of movies.

Son of Frankenstein Trailer



Rating: 3½ Robots (out of 5)






More screencaps after the jump...

Friday, October 12, 2012

The Bride of Frankenstein (1935) - 62 Screencaps

COUNTDOWN TO HALLOWEEN 2012
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DAY 12 - 19 DAYS TILL HALLOWEEN
The Bride of Frankenstein (1935) - 62 Screencaps:

A Universal Picture

Karloff

Bride of Frankenstein

More screencaps after the jump...

Thursday, October 11, 2012

The Bride of Frankenstein (1935)

COUNTDOWN TO HALLOWEEN 2012
KARLOFF THE UNCANNY
DAY 11 - 20 DAYS TILL HALLOWEEN
The Bride of Frankenstein (1935) - Plot Summary and Movie Review:
(Read my review of 1931's Frankenstein here.)
Bride of Frankenstein

After a brief introductory scene with Mary Shelley, Percy Shelly, and Lord Byron, The Bride of Frankenstein picks up at the burning windmill, more or less where the original left off... minus the tacked-on "happy ending" where Henry's Frankenstien's father Baron Frankentstein looks forward to Henry and Elizabeth getting married and having kids. In fact, it is mentioned that Henry is "Baron Farnkenstien" now, which implies that his father has died.  Perhaps Henry's father was killed by the Monster in this slightlty altered continuity.
Lurking in the Depths

Frankenstein's Monster is revealed to have survived the fire, and wanders the countryside looking for safe haven while being pursued by a posse of angry villagers.  Henry Frankenstein, meanwhile, atttempts to recover at home and put his life back together.  Henry's recovery is short lived, however, as he is soon approached by another mad scientist, a former teacher of his named "Doctor Pretorius."  Pretorius has also been engaged in experiments to create life, and wants to team up with Frankenstein to continue their experiments together.
Homunculi
During these early minutes of the film, we are also subjected to some awful "comedy" scenes featuring Frankenstein's maid Minnie.  While the previous film was played for straight horror, the sequel has many comedy bits as well.  Much of the comedy works well, especially the scenes of black comedy that take place in the graveyard, and those involving the gleefully perverse Dr. Pretorius.  The more broad, vaudeville style shenanigans of Minnie the maid, however, really fall flat, and tend to break the immersion in the story, and remind you that you are just watching a movie.
Dark Reflection
Despite Henry's strong desire to stay away from any more Mad Scientist shenanigans, he just can't help himself, and goes with Pretorius to see what he has been experimanting on.    This scene is so over-the-top it threatens to derail the film, as Pretorius shows Frankenstien his collection of miniature people he has grown from scratch, including a mini-king, mini-queen, mini-ballerina, a mini-pope, a mermaid, and even a miniature version of Satan.  The idea that Frankenstien could re-animate dead tissue is not so far removed from reality to be unbeleiveable, but this scene is just pure fantasy.  Like the previously mentioned comedy scenes, this scene draws attention to itself in a way that reminds you that you are just watching a movie.  This film has an odd blend of comedy, horror, fantasy, and violence, and I don't think it entirely blends together in a way that works, but it is still great fun to watch.
Bound in Chains
While this is going on the Monster has a few unpleasant encounters with people while on the run, but ultimately makes a friend in a lonely old blind man who lives alone in the woods.  The blind man can't see how hideous the Monster is, and is happy to take the Monster in to his home and befriend him.  The two live together happily for a time, and the man even teaches the Monster to speak a few words.  Their happiness is short-lived though, for soon the hunters who have been tracking the Monster discover him in the home and do battle with him, burning down the old man's house in the process.  The heartbroken Monster eventaully hides himself away in a crypt, where he "befriends" the corspes in their coffins, who of course will never reject him.
Watching in the Dark
Frankenstein was disturbed by the Doctor pretorious's experiemtents and refused to help him, instead moving on with his life and marrying Elizabeth.  Without Frankenstein to aid him, Pretorius attempts to replicate his experiments with dead bodies on his own.  While robbing graves, Pretorius encounters the Monster and befriends him.  He decides to use the Monster against Frankenstien, and has him kidnap Elizabeth, and will only release her after Henry helps him build another Monster, a female companion for the monster.
Science Thing
The pair of scientists succeed in creating a woman, using body parts stitched together by Frankenstein, and with a brain grown in the lab by Pretorius.  The female creation is monstrous, yet eerily beautiful at the same time, and Pretorius dubs her "The Bride of Frankenstein."  The male Monster is pleased to finally have a companion like he is, but tragically, the Bride reacts with horror towards him, just as everyone else does.  Heartbroken, the Monster allows Henry to leave with Elizabeth, but traps Pretorius and the Bride with him in the lab.  In a rare moment of eloquence, the Monster proclaims, "We belong dead, " and he uses the machinery in the lab to destroy it and themselves. Thus ends one of the greatest horror movies of all time, and with the destruction of the Monster, it can be assured that there won't be any sequels (I could be wrong about this).
Will You Be Mine, Valentine?
This film is widely considered to be the best of the Universal Monsters movies.  I think it's a bit uneven at times, but where it succeeds, it succeeds brilliantly.  I also admire it for trying to do so much, and not just settle for simple scares.



Rating: 4½ Robots (out of 5)

Wednesday, October 10, 2012

Halloween 1966, Volume 2: Criminals and Psychos

COUNTDOWN TO HALLOWEEN 2012
HALLOWEEN 1966
DAY 10 - 21 DAYS TILL HALLOWEEN

THIS POST WILL BE AVAILABLE FOR A LIMITED TIME ONLY!  LISTEN OR DOWNLOAD NOW, BEFORE IT IS GONE! 

Volume two of my "Halloween 1966" collection delves into the EVIL minds of the criminals, the psychos, the killers, the gun-crazy, and the villains!  Listen, if you dare...
The main tracklist is:

  • Burgess Meredith - The Capture
  • Napoleon XIV - Marching Off To Bedlam
  • The Easybeats - Going Out Of My Mind
  • Count Five - Psychotic Reaction
  • The Swamp Rats - Psycho
  • The Beau Brummels - Bang Bang
  • The Mammas and the Pappas - Straight Shooter
  • Neil Hefti - The Mafista
  • Sam Chalpin - Batman
  • The Standells - Paint it Black
  • The Troggs - Evil
  • Burgess Meredith - The Escape
In addition to the main tracks, the mix is also peppered with 1966 audio clips from Star Trek, Batman, and The Undertaker and His Pals.

THIS POST WILL BE AVAILABLE FOR A LIMITED TIME ONLY!  LISTEN OR DOWNLOAD NOW, BEFORE IT IS GONE! 

 

DOWNLOAD LINK

Tuesday, October 9, 2012

Frankenstein (1931) - 59 Screencaps


COUNTDOWN TO HALLOWEEN 2012
KARLOFF THE UNCANNY
DAY 9 - 22 DAYS TILL HALLOWEEN 


Read my review of the movie here:
 
Frankenstein (1931) - 59 Screencaps: 
 
 
Tuxedo Intro

Frankenstein Title

James Whale
 More screencaps after the jump...

Monday, October 8, 2012

Frankenstein (1931)


COUNTDOWN TO HALLOWEEN 2012
KARLOFF THE UNCANNY
DAY 8 - 23 DAYS TILL HALLOWEEN
Frankenstein (1931) - Plot Summary and Movie Review:

Exhumation
As the 1931 Universal Monsters classic Frankenstein begins, we are introduced to Henry Frankenstein (Colin Clive) as he lurks in a graveyard with his hunchbacked lab assistant Fritz (Fritz is played by Dwight Frye, who portrayed the fly-eating vampire's assistant Renfield a year earlier in Universal's Dracula).  The duo spy on a funeral, waiting for the mourners to leave so they can dig up the corpse.  Fritz is perversely eager and has to be held back by Frankenstein to avoid detection.  Fritz is possibly not the ideal man to be a scientist's assistant, but I suppose when your job duties include grave robbing, the list of eligible candidates for the position is not very large.  Frankenstein is quite eager himself, however, just in a quieter, more intense way.

Continue reading after the jump...

Sunday, October 7, 2012

Countdown to Halloween: Week 1

COUNTDOWN TO HALLOWEEN 2012
HORROR IN SPACE
DAY 7 - 24 DAYS TILL HALLOWEEN


Hello all!  First off, I'd like to say "hi" and "thank you" to all my new readers who have been reading this blog for the Countdown to Halloween.  This October is well on it's way to being my most read month ever!  Thanks, I hope you are enjoying my posts.

Previously on Misfit Robot Daydream

If you're enjoying what you've read so far of my Countdown to Halloween, you might want to check out the reviews of horror and sci-fi movies I did before the countdown started.  They are:

House (aka Hausu) (1977)
Martin (1977)
The Star Wars Holiday Special (1978)
Starcrash (1978)
Death Watch (1980)
Island of the Fishmen (aka Screamers) (1979)

Island of the Fishmen

Death Watch

Starcrash

The Star Wars Holiday Special

Martin

House



Horror in Space

On Monday, I began a series of "Horror in Space" posts, with reviews and screencaps from movies that acted as an influence on the 1979 film "Alien."

The posts began with "It! The Terror from Beyond Space," a black and white sci-fi horror movie from 1958

Tuesday and Wednesday were dedicated to the 1966 sc-fi horror film, "Queen of Blood,"  with the movie review on Tuesday, and a collection of 64 screencaps on Wednesday.



 On Thursday, I took a break from the movies, and posted the first in a series of "Halloween 1966" music mixes I have planned, "Halloween 1966, Volume One: Nightmare in Space."

On Friday, I posted my review of the 1965 Mario Bava film, "The Planet of the Vampires."


Finally, on Saturday, I reviewed the cheesy 1968 sci-fi monster movie, "The Green Slime."



Next on Misfit Robot Daydream

I'll be coming back to the second half of my Horror in Space posts later this month, as I review the movie "Alien" and the films that were influenced by it.  In my posts coming up next week, my focus will be on Boris Karloff as Frankenstein's Monster, as I review his first three Frankenstein films, plus I'll have a review of Diamond Select's Frankenstein action figure.  I'll also be posting the second volume of my Halloween 1966 music compilation, "Criminals and Psychos."

Movie Trailers

Finally, to cap off this week, here are some YouTube movie trailers I found for the movies I looked at this week:

It! The Terror From Beyond Space


Queen of Blood


The Planet of the Vampires


The Green Slime




Thanks for reading!
Your pal,
Joshua the Atomic Robot

Saturday, October 6, 2012

The Green Slime (1968)

COUNTDOWN TO HALLOWEEN 2012
HORROR IN SPACE
DAY 6 - 25 DAYS TILL HALLOWEEN

The Green Slime (1968) - Movie Review and Screencaps:

A space station is quickly being overrun by tentacle waving eyeball-aliens, in this gooftacular sci-fi monster movie from 1968.  While technically an American production from MGM, the film was actually shot at the studios of the Toei Company in Japan, and has all the hallmarks viewers have come to expect from 1960s Japanese monster movies, such as completely unconvincing scale models that look like toys, badly dubbed voices, and monsters that are just men in extremely silly looking rubber suits.  As such it is loads of fun.
The Green Slime
 The aliens in this movie are really weird, starting off as the titular green slime before quickly developing into tentacled rubber monsters with one giant eye, and hundreds of smaller eyes growing on their bodies, who make squeaky high-pitched sounds.  The first thing that came to mind when I saw them were the sea monsters from the old Sid & Marty Kroft show "Sigmund and the Sea Monsters."  They are just plain goofy looking, and not in the least bit scary, but that just adds to their charm.
Asteroid Action!
The three main leads are fine in their respective roles.  The film stars Robert Horton, who was best known as one of the stars of the television series "Wagon Train" as Commander Jack Rankin, an arrogant, egocentric, but highly competent astronaut.  He butts heads with veteran television actor Richard Jaeckel as Commander Vince Elliott, leader of the space station Gamma 3.  In addition to jostling with each other over who is in command, they are also competing in a love triangle, Commander Elliot engaged to be married to Commander Rankin's former love Dr. Lisa Benson, played by Thunderball actress Luciana Paluzzi.  The back story between the three main characters is probably fleshed out more than a film like this really needs, but it does help to ratchet up the tension and drama in some scenes.
Hi, My Name's "Blinky!"

Overall, I was a little disappointed with the film, but that was mainly because I had too high a level of expectation.  I have often read about this film as a possible inspiration for the 1979 film Alien, but now that I've seen it, I think that is a bit of a stretch.  Yes, there are people trapped on a space station forced to fight with alien monsters, but I don't know if that's enough to really connect it to Alien, except in a superficial way.  There is nothing remotely similar in the tone of the two films.  Everything in Green Slime is brightly lit, colorful, and really not in the least bit scary.  In fact, I'm kind of regretting writing about this film as part of my "Horror in Space" series, becuase there is very little actual horror in it.  But taken on it's own terms, the film is fairly enetertaining, and I likely would have eagerly devoured it if I had seen it on TV when I was a kid.
Pulsating Green Slime
As a final note, mention needs to be made of the completely ridiculous "Green Slime" theme song that plays during the opening and closing credits.  While the rest of the film uses typical sci-fi type music, the kind of stuff you might hear on an episode of Star Trek or what have you, the Green Slime theme song is a glaringly out of place 1968 slice of hippie rock that contratsts so badly with the rest of the film that it's impossible not to laugh at it.  Yet like the bad costumes, miniatures, and dubbing, the song is "so bad it's good" and in the end I think it helps kick the film up a notch in my enjoyment of it.






Rating: 3 Robots (out of 5)








More screencaps after the jump...